Comic collection sells for $3.5 million

Billy Wright plunked down dime after dime for comic books while growing up in the late 1930s and early 1940s, caring for the collection he started around the age of 9 until his death more than half a century later. On Wednesday, most of that collection sold for a whopping $3.5 million.

A collection featuring the first appearances of Batman and Superman sold for $3.5 million. (AP Photo/Courtesy of Heritage Auctions)

Wright’s 345 comics, nearly all of which were published from 1936 through 1941, included many of the most prized issues ever, including Detective Comics No. 27, which features the debut of Batman, and Action Comics No. 1, in which Superman’s first appears.

Amazing collection: Experts say Wright’s collection, which included 44 of The Overstreet Comic Book Price Guide’s top 100 issues from comics’ golden age, was remarkable for its number of rare issues, but also because it was compiled by a single person in childhood who kept it in good condition until his death in 1994 at age 66.

“This really has its place in the history of great comic book collections,” said Lon Allen, the managing director of comics for Dallas-based Heritage Auctions, which oversaw the auction in New York City.

The copy of Detective Comics No. 27, from 1939, drew the highest bid Wednesday, selling for $523,000, including a buyer’s premium, Allen said. Wright’s Action Comics No. 1, from 1938, sold for about $299,000; Batman No. 1, from 1940, sold for about $275,000; and Captain America No. 2, a 1941 issue with Adolf Hitler on the cover, sold for about $114,000.

“It was amazing seeing what they went for,” said Michael Rorrer, who discovered his late great uncle’s neatly stacked comics in a basement closet while cleaning out his great aunt’s Martinsville, Va., home after she died last year.

Paper drives: Most comics from the golden age — the late 1930s into the 1950s — fell victim to wartime paper drives, normal wear and tear and mothers throwing them out, said J.C. Vaughn, associate publisher of Overstreet. Of the 200,000 copies of Action Comics No. 1 produced, about 130,000 were sold and the about 70,000 that didn’t sell were pulped. Today, experts believe only about 100 copies are left in the world, he said.

“The scope of this collection is, from a historian’s perspective, dizzying,” Vaughn said.

There were 227 of the collection’s comic books sold on Wednesday for $3,466,264. The remaining comics, which are of lesser value, will be sold in online auctions Friday and Sunday and are expected to fetch about $100,000.

Discovering the value: Rorrer, 31, said he didn’t realize how valuable the comics were until months after returning home to Oxnard, Calif., when he mentioned them to a co-worker who mused that it would be quite something if he had Action Comics No. 1.

“I went home and was looking through some of them, and there it was,” said Rorrer, who then began researching the collection’s value in earnest.

He reached out to his mother, Lisa Hernandez, who still had half the comics at her home in League City, Texas, that she intended to give to his brother in Houston. They then went through their boxes, checking comic after comic off the list.

Hernandez said it really hit her how valuable the comics were when she saw the look on Allen’s face when the auction house expert came to her house to look through the comics.

“It was kind of hard to wrap my head around it,” Allen said.

The find was a complete surprise for the family, and it is unclear if Ruby Wright was aware of the collection’s significance. Rorrer said he remembers her making only one fleeting reference to comics: Upon learning he and his brother liked comic books, she said she had some she would one day give them. He said his great uncle never mentioned his collection.

Allen, who called the collection “jaw-dropping,” noted that Wright “seemed to have a knack” for picking up the ones that would be the most valuable.

“There were some really hard to find books that were in really, really great condition,” said Paul Litch, the primary grader at Certified Guaranty Company, an independent certification service for comic books.

“You can see it was a real collection,” Litch said. “Someone really cared about these and kept them in good shape.”

Hernandez said it makes sense that her uncle — even as a boy — had a discerning eye. The man who went to The College of William and Mary before having a long career as a chemical engineer for DuPont was smart, she said. And, she added, Wright was an only child whose mother kept most everything he had. She said that they found games from the 1930s that were still in their original boxes.

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Online:

Heritage Auctions: http://www.ha.com
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Reported by JAMIE STENGLE of the Associated Press from DALLAS, Texas

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Welcome to the Tundra


The Junior Dispatch is proud to announce the addition of a “Tundra,” a new comic to our lineup that already includes “Belvedere”, the “Pocket Cartoon Course” and the “Adventures of Phil Hardy.”

“Tundra” is a comic written and drawn by Chad Carpenter of Alaska and is one of the most popular new comics out there. Unlike most comics, “Tundra” doesn’t really have a cast of characters. Instead, it’s just about animals with no particular name and how they are like — and unlike — humans. You will also spot a lot of snowman humor in “Tundra,” probably because Chad gets a lot of snow up there in Alaska.

You can view “Tundra” every day on our new Comics page, which also includes links to our comic-related special features and some other great comic web sites.

 

 

 

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The Pocket Cartoon Course guide

Beginning in August 2011, the Junior Dispatch ran a series of articles that helped guide youngsters on the art of Cartooning.

Our instructional course was based on the “Pocket Cartoon Course,” a 1940s giveaway booklet from the Snack-Pack Co. from Indiana.

While it was written a long time ago, most of the lessons were useful for today’s up-and-coming artists.

Now the Junior Dispatch offers you this handy guide to the complete course on cartooning, complete with additional hints and great videos!

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THE COURSE

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WHAT YOU CAN DO
Junior Dispatch hopes that you explore your artistic side with the help with the Pocket Cartoon Course. When you do, you should send us some of your work to display to the whole world.

You can e-mail scans of your work to juniordispatch@yorkdispatch.com.

You can send originals or copies of your art for us to scan at:
Junior Dispatch
c/o The York Dispatch
205 North George Street
York, Pa. 17401

If you want your originals returned, include an self-addressed and stamped envelope that that’s big enough to fit your art inside.

Finally, tell us what you think of each lesson in the comments!

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PCC 13: Toon into the Action

Here we are at the final two lessons of the Pocket Cartoon Course.

The first image is a refresher on drawing members of the Army and Navy. The key to these creating drawings like these is to learn to see the “body language” in your characters.

SOME IDEAS TO EXPLORE:

  • Straight shoulders: Suggests a stern figure.
  • Shoulders sloping out: Suggests a lazy person.
  • Shoulders sloping toward the neck: A person wearing shoulder pads or in a stiff and bulky gear, such as a firefighter or person with a backpack.
  • Inflated chest, thinning to a stomach: A strong person.
  • Straight-line chest: Someone young or sneaky.
  • Hands on hips: A defiant person.
  • Waving both arms: Someone who is frantic.
  • Waving just one arm: Saying hello or goodbye.
  • Pointing a finger up to the sky: Giving a speech.

Finally, the Pocket Cartoon Course takes a look at putting your figures into action. By this, the author of the course suggests that your characters should always be doing something.

This is because people don’t just stand around, stiff as a board and do nothing when they talk. They are usually doing something during a conversation — and really, they can be doing anything you want them to do. More importantly, they can do anything you can draw them doing.

THINGS YOUR CARTOONS CAN DO
(To keep them from looking stiff)

  • Hold a cup of coffee
  • Walking a dog
  • Carrying a bag of groceries
  • Holding a basketball
  • Opening their locker
  • Eating with a fork or spoon
  • Working on a computer
  • Drinking at a water fountain
  • Flying a kite
  • Going on a hike
  • Playing a video game
  • Combing their hair
  • Working a remote control
  • Writing something down
  • Brushing their teeth
  • Getting ready for bed
  • Waiting for the school bus

From that list alone, you can devise dozens of different scenes as your cartoon characters go about their lives.

Of course, this action isn’t anything too exciting compared to the things you could be drawing. Remember, for every time you draw your character shoveling snow, then you should also draw him or her fighting a troll with a big sword.

Your cartoons are only limited by your imagination, so get drawing!

VIDEO — DRAWING A RUNNING POSE

http://youtu.be/WqnU_DEZMuk

 

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